If you're not familiar with the story behind these two versions, there's a nice documentary on the DVD that explains it. Briefly put, Lauren Bacall is at her sultriest on Side A of the disc (the version that made it into theaters); Side B has some scenes that do a better job at fleshing out the plot, but at the expense of some of Ms. Bacall's glamour.

My advice is watch the pre-release first: It fills in a couple of gaps left open by the inclusion of re-shot Bogie & Bacall scenes in the official release. Then you don't have to worry about anything distracting you from their on-screen chemistry.

There is some film degradation present in this release. While it is nice to have this preserved on DVD, hopefully AFI or some other group will make preservation and restoration of this movie a priority.

In a future release of The Big Sleep it would be nice to have a hybrid version of the movie. That way we could have the re-shot Bacall scenes from the theatrical release along with the more expository scenes from the pre-release (Marlowe searching Geiger's house, Marlowe meets the D.A., etc.). It would be a slightly longer film, and film purists might disagree, but I think it would truly be the best of both worlds.

In the meantime, get this DVD. You'll love it you're a movie-history or -trivia buff, and if you're not maybe it'll make you one. The worst it could do is class up your DVD collection a notch or two.

Wild and Cool (Rating: 5.00)
Review : A movie so relentlessly all over the map and incomprehensible, it has to be seen to be believed. Closely adapted from Chandler's equally confusing private eye noir thriller. Bogart and Bacall are just plain cool. The flick captures the time and place perfectly. Every word, every inflection, every move, the clothes, the cars, the places and attitudes are all just right and utterly cool. Buy this and The Maltese Falcon and put em right next to each other on your shelf. Gotta have this on DVD.

Smokey Style (Rating: 5.00)
Review : Raymond Chandler's LA was peopled with the flotsam of human kind, a white kind. Though there may have been black or Mexican-Americans in LA in the forties,I didn't see any in this otherwise interesting film. There seems to be an almost stylish,white, even literary criminal class wandering Laurel Canyon Drive. The bad ladies are dressed and the men are suited. Ties are knotted and tight. Even the head gangster seems to be a sensitive soul. Drugs, murder, and classy dames, shut your trap! The film's a classic and so is Bogey.