In adopting the way of the Samurai, GDog latches onto Louie, a mid-level mob boss played by John Tormey. The mix of cultures is a familiar Jarmusch theme that is exceptionally well realized in this DVD. One of the most interesting aspects of the film is GDog's relationship to his French-speaking best friend Raymond. The two often converse, not understanding each other's language but almost mirroring each other's thoughts as the subtitled French indicates. Isaach de Bankole does a great job as the ice cream truck-driving friend. Also very pivotal to the film is the wonderful screen time given to Camille Winbush as Pearline, a child who GDog loans a copy of Rashamon to. There is a great rapport between the two.

The Italian crime bosses are ironically played for laughs with Cliff Gorman's inept mob boss front & center. As Vargo, Henry Silva who has such a great ethnic look and has played in "Dick Tracy" & "Oceans 11" does a great job of being hard-edged and incompetent. His daughter Louise is a witness to one of GDog's early executions and eventually orders Louie to perform the hit on our star.

With the aspects of carrier pigeons and a guy building an arc on a city rooftop, we see numerous interesting cultural aspects and humor combined in the drama. This is an interesting film melding Asian culture with modern crime, kind of a Hip-Hop version of Kung Fu. Whittaker keeps us glued to the screen for a most interesting performance. Enjoy!

what is this rubbish? (Rating: 1.00)
Review : I think this movie COULD have been great. There are some funny moments: the icecream man scenes, and the mob members trying to catch those pigeons. But this movie was bizarre, and it dragged. There were countless shots of birds flying in the sky...no kidding. It was painful to watch from the begining to the end, i had to take frequent breaks to work my morale back up. I'm very glad i borrowed this from a friend instead of paying money to see it.

Good, could have been great (Rating: 3.00)
Review : I liked this movie for the most part but it was the ending that put me off. I really did not want to see Ghost Dog die in that way, at the hands of a white man who did not understand him or his philosophy. I wish that Forrest Whitaker's character could have shown more determination to fight and survive, with more of what the samurai author of Hagakure would have called "martial valor". But then isn't it the juxtaposition of the cold, efficient samurai code with this gentle, somewhat bemused giant part of what makes the film interesting? Come to think of it, the samurai were more concerned with an honourable death than with mere survival. A better ending, at least for me, would have had Ghost Dog choosing, at the very last moment, to survive rather than follow the samurai code into the grave.