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| Il Postino | |||||||
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"MAN HAS NO BUSINESS WITH THE SIMPLICITY OF COMPLEXITY"... (Rating: 4.00) Review : What a poignant and bittersweet Italian comedy about the friendship between exiled Chilean poet Pablo Neruda and his shy postman (played by Troisi), made so in no small measure by Troisi's quietly contained but gripping performance. The lyrical screenplay perfectly balances the intimate story of a local postman with the social and political realties of 1950s Italy, suggesting that the backwater, impoverished Italian "Mezzogiorno" could find new potentials just like the movie's protagonist. In weaving its leisurely unfolding tapestry (hint: the movie may feel slow to people who're used to Hollywood's wham-bam), the film works on many different levels -- a tribute to the power and beauty of poetry; a tale of brotherhood; a charmingly quirky romance (between Troisi and barmaid Maria Grazia Cucinotta). Unfortunately, the ending of the film is somewhat mishandled with couple of unnecessary scenes, but it is this very ending that I found the most memorable because it eerily corresponds with the tragedy of real life behind cameras. Couldn't recommend this lyrical gem highly enough. I can't help comparing "Il Postino" to "Life is Beautiful", also an Italian film that relies on initial humor to set up the pain found in the human heart. "Il Postino" is more subtle, however, and more realistic. Still, those who enjoyed "Life is Beautiful" should also like "Il Postino." I recommend this film highly. You don't need to know anything about Neruda to enjoy it; all you need to be is human. IL POSTINO takes place in 1953 and centers around an unlikely friendship of sorts between a shy, backward postman, Mario, and the great Chilean poet, Pablo Neruda. It takes place on a little island off the coast of Italy where Mario (Massimo Troisi) has just been given the job of delivering mail to the island's newest inhabitant, Pablo Neruda (Philippe Noiret). Mario, who has the soul of a poet, though he doesn't realize it yet, can't help but notice that Neruda, a very unlikely Casanova, receives many letters that seem to be from women. In fact, there is a woman who lives with him (probably his wife) and Mario can see how deeply in love they are. Mario knows there's something special about Neruda, even if he can't articulate exactly what it is, and he decides to get to know him better, no matter what. His first attempts are almost akin to stalking (and probably would be if he weren't Neruda's postman), but Mario perseveres and the friendship between the two men eventually flourishes. Initially, Mario wants to get to know Neruda so he can learn how to pick up girls (not a bad reason), but, as the men get to know each other, Mario learns that there is so much more to life, and so much more to his own soul, than simply "picking up girls." One of the things that makes IL POSTINO a masterpiece is the fact that all of the actors, and especially Troisi and Noiret, give very gracefully nuanced, very understated performances. There is no glitz and glamour here, thankfully, and none is needed. This film is so "real" and so "human" that it weaves a web of magic around the viewer before the viewer is even aware of what is happening. One of the most telling, and heartbreaking, moments comes near the film's end after Neruda has departed the island. Mario is reading a newspaper clipping in which Neruda is quoted as saying of his time on the island, "I lived in complete solitude with the most simple people in the world." Although Mario doesn't comment on this, his facial expression, which barely changes, reveals just how deeply hurt (and complex) he is. Philippe Noiret's very understand performance is lovely as well, and he and Troisi play off of each other wonderfully. IL POSTINO was Massimo Troisi's "dream project" and, sadly, he died the day the film wrapped production. With IL POSTINO, however, he left us a wonderful legacy. This film is quiet and understated, but it is also charming, endearing, beguiling and enchanting. It says more about "life" than any mega blockbuster ever could. IL POSTINO is a film made with love, about love. It is a masterpiece of life that most viewers will treasure. Telling the story of Mario Ruopollo a poor son of a fisherman, Il Postino charts the months following the arrival of exiled Chilean poet Pablo Neruda to the small Italian island where Mario lives and how the poet of love helps Mario win the heart of latest Bond Girl Maria Grazia Cucinotta. A story of love and friendship that will surely capture the viewers heart and stay with them forever! It is impossible to imagine a film made today that glorified an artist who was a Nazi, but we are still subjected to the mythmaking that, at once, conceals and implicitely justifies communist mass slaughter. The movie does not merely place the characters in the time of Soviet brutality, and refer in passing it, it shamelessly revels in communism. It is thin and evil propaganda. |
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