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| Carnival of Souls From Amazon (US) for |
a great cult classic! (Rating: 5.00) Review : This review is for the Criterion Collection DVD edition of the film This film is one of the best known of classic horror films of th early 1960's. This film has hitchcockian elements and even can remind one of Shyamalan's film, "The Sixth Sense" The story follows a young Kansas woman who survives a tracic car accident, she later moves to Salt Lake City Utah to be a church orgainist (at a non-Mormon chruch.) While driving there, she passes the old Saltair resort, recently abandoned. She feels an overwhelming compulsion to go closer but does not yet do so. She later has visions of a man who seems to be caling her to the resort. Later she enters an unusual state of mind where noone else can see or hear her. I don't want to say anything else as it would be a spoiler. The movie is filmed on location at the Saltair pavilion. At the time it held the largest indoor ballroom ever built. It since was destroyed by fire but another was built and later flooded. The film has many special features. 2 versions of the film. The theatrical version and the Director's cut. The director's cut has optional partial length audio interviews with some of the film crew. Disc 1 has Disc 2 has It also has 5 short documentary films made by the movie's production company Centron. Star 34; A docudrama about tourism in Kansas Signals: Read 'em or Weep; a saftey film for the Caterpillar Tractor company To Touch a Child; a documentary about the school system in Flint Michigan. Jamaica, Hati, and the Lesser Antilles; a documentary film on the afforementioned countries. Korea: Overview; a documentary film on Korean culture. This DVD set was one of the most comprehensive released by Criterion at the time of it's release. The acting ensemble in Romero's film is consistently better, but Carnival of Souls only has one real character, and Candace Hilligoss as Mary is very good. It's probably only her performance that has kept this movie around for over forty years. It's 1962 in a small town, and two young guys in a hot rod and three young women in another car are drag racing. They get to the bridge outside of town, finally going fast enough to feel alive when . . . . . . Mary crawls out of the river, covered in mud, the only female survivor. The other two girls paid the price for giving in to the thrill of the boys' challenge. Seemingly unaffected (almost in the clinical sense of being without affect), Mary follows her plan to go to another small town where she's been hired as a church organist. She doesn't believe in the church, though; she's a musician and playing the organ is just a job. Mary's drive to her new town is the scariest bit of filmmaking I've seen in a long time. Trying to settle into her new life, Mary starts to crack up. Besides seeing an apparition connected to an old ruined carnival, Mary is suddenly unable to hear the people around her. Three men say they want to help her - - a would-be boyfriend who's only interested in sex and leaves her when she lets her despair show, a doctor who violently shakes her and orders her to his office for his expert help, and the minister she works for who fires her when something possesses her and she "profanes" his church with carnival music. Love, science, and God all fail her. If Mary had only been able to hang on for five or ten years, maybe she would have found more satisfying work, or support from other women, or been stronger herself. In 1962 Mary felt the nothingness eating her alive, but she couldn't see a way out in time. She lost the race. Nothing conveys terror like atmosphere and things barely seen. Director Herk Harvey, whose previous film experience was almost entirely in industrial films, captured these important aspects perfectly. In the supplemental materials on the Criterion DVD, he explains how the sight of the old Salt Lake bath house became the base for this film. When you see the old bath house, it is at a distance at first, in the evening, draped in shadows. You wonder "What is in there? Is it empty? Or could something else be there that shouldn't be?" In the film, Mary Henry (played by Candace Hilligoss) is the sole survivor of an auto accident. Afterwards she leaves Kansas to take a job in Salt Lake City, Utah. As she nears Salt Lake, she sees, in the distance, the shadowy hulk of an old pavilion on the lakeshore. She begins seeing images of a pale faced man (played by director Harvey) appearing and disappearing outside her car, in her boarding house, outside her window, etc. The film deals with her attempts to come to terms with this vision, her sanity, her brush with death, and what role the old building (a former bath house, carnival, and dance hall) has to do with it all. The film looks crisp and clear, even in night scenes. No surprise, also, that it has an industrial film feel to it at times. The acting is good, but not great. Then again the occasional stiffness of some characters adds to Mary Henry's feeling of disconnect with the living world. The townspeople have barely more life in them than the pale "zombies" that rise from the lake. Mary's job as a church organist allows for a soundtrack full of pipe organ music that morphs from inspirational to horrific. It is quite effective and adds to the already dreamlike quality that oozes from the film. The Criterion DVD comes with 2 discs including the original director's cut and the theatrical versions. Extras include a booklet, a photo gallery and history of the bath house, and a panel interview at a convention featuring Herk Harvey (wearing his ghostly make-up no less!), Candace Hilligoss, and Sidney Berger, who played Mary Henry's (...) drunken neighbor. People spend millions, even hundreds of millions of dollars trying to scare you, and almost always fail. Carnival of Souls succeeds and on a tiny budget. There is a reason that this small film from 1962 is still a cult favorite today. It works. It's scary. It will creep you out. Buy it, rent it, just watch it! |
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