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Brilliant...the best film I've seen in years. (Rating: 5.00) Review : First of all I have to agree with the viewer from Ohio regarding Leonard Maltin's review of this film. The film very astoundingly captures the essence of life and stuggles among women in India and its surrounding countries. It's not hype and it's not fiction, it's the truth. Understandably, most westerners would find it difficult to relate to the reality of a culture which has traditionally allowed men to get away with such MCP attitudes. The portrayal of the characters, everyone from Azmi to the mute mother-in-law to the over-sexed servant boy, was astoundingly real. So much so that it made the movie that much more intense and vivid. I cannot recall watching a movie stemming from the east that was more truthful. Much kudos to Mehta for her excellent story-telling and wonderful insight not to mention courage in dealing with an issue that has been strictly taboo, and still is, in the Indian subcontinent. If only other Indian filmmakers would step up and make a statement as bold as Mehta's. I can't praise this movie enough, so in an effort to avoid any repetition, I end here. Thank you for such an mesmerizing and entertaining piece of work. The best movie I have ever seen, a true gem. (Rating: 5.00) Review : I am a teenager that is used to watching over-hyped Hollywood flicks. But one day I took a chance and rented FIRE. I could feel the frustrations of the two women as they lived day to day in loveless marriages. The characters are trying to fulfill roles their culture expects of them. But they are torn between what they want and what they are expected to want. I was moved by the outstanding performances of Shabana Azmi and Nandita Das. It's incredible how the director, Deepa Mehta, was able to weave suck complex social issues into a genuine and sincere film that leaves a lasting impact on anyone fortunate enough to view it. I was surprised to see that the older brother would devote himself to a life of chastity simply because he could not have children of his own. I felt empathy for the younger brother when he was pressured to leave his Chinese girlfriend in order to enter into an arranged marriage with a young Indian woman. There are tragic consequences for the leading female characters as their desires offer them a chance at happiness. I loved every moment in this movie. Hopefully the issues in this movie will be discussed by the many who see it. It's thought provoking and will leave a lasting impression, even for those who oppose the controversial subject matter of lesbianism. 3 1/2 Stars (Rating: 3.00) Review : This film was really quite good, but there were a few things that made this film far from perfect. While the content and message of the film was powerful, I didn't really feel comfortable with the lesbianism that took place between Rhada and Sita. Their physical exchange didn't seem authentic. They seemed to turn to each other because they longed for touch, a touch that might have been satisfied if their husbands had truly cared for them both emotionally and physically. Furthermore, I didn't like how the film seemed to portray lesbianism as the outcome of two women caring for each other. This is not always the case. Female friendship doesn't have an inherent element of lesbianism. In addition, I didn't particularly care for the cinematography. I found it to be a bit static, and unpoetic, whatever that means. On the other hand, this movie was very powerful due to the idea that women can imagine something different for themselves, despite traditional structures that are oppressive, and despite what some might consider the insidious influences of patriarchy. This is why the film constantly returns to Rhada's attempt to envisage the ocean. So long as she can't imagine the ocean, she can't imagine a situation different for herself. The most powerful scene in this film was when Rhada declared that she "desires to live." Similarly, Sita seems to imagine something different for herself when she dresses in Jhatin's clothes. Wearing his clothes seem to empower her in a way that wearing her sari does not. While some might tout this end of this film as a triumph for Western values, I really think this film took the approach of Third World feminism, that there are other ways to create a woman friendly situation. |
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